A divorced alcoholic seeks refuge in a remote ancestral cabin only to be confronted by demons that have haunted her family for generations.

A Vegas wedding spells trouble back at home, as Carrie (Bissett) and Jim (Estes) each break the news to their kids. Can the newlyweds -- and their new household -- survive?

A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head.

Campers at an LGBTQ+ conversion camp endure unsettling psychological techniques while the campsite is stalked by a mysterious killer.

As the world reaches peak negativity, our hero’s plot for peace backfires with drastic consequences.

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

A young boy emerges from a coma after a fall down an abandoned mine shaft. His family is confronted by dark, threatening spirits and the possibility that the child in their home might no longer be their son.